Kisah kehidupan
Orked yang sudah berkahwin. Bapa Orked pula dimasukkan ke
hospital kerana sakit. Di situ, dia berjumpa pula dengan bapa
Jason. Pada waktu yang sama, terdapat kisah seorang bilal yang
hidup berjiran dengan pelacur. Pelacur terbabit pula menghantar
anaknya mengaji Quran di rumah bilal berkenaan...
Seven years
after Jason, Orked is now married to a much older guy, Arif.
Everything seems ideal in their marriage at first glance; Arif
loves Orked to bits and theirs seem like a match made in heaven.
One fateful morning, Orked is awakened by a distressing phone
call from Mak Inom with news that Pak Atan has become catatonic
due to diabetic complications. Orked rushes to her parents’
house, to find Pak Atan unresponsive and ill; Mak Inom and
Annuar the family driver are hysterical. Kak Yam, the family
maid however is rather calm and collected. After some chaos,
they take Pak Atan to the hospital. There, Orked bumps into
Alan, Jason’s elder brother. His father, Pa has also been
hospitalized. As the film develops, we witness the friendship
between Alan and Orked flourish, to Arif’s apprehension. Perhaps
because for Orked, Alan is a link to her first love. Throughout
the film we are also introduced to another 'family'. The muezzin
or Pak Bilal heads an institution of sorts; consisting of his
wife, Kak Maz, their 7 year-old child, two prostitutes, Temah
and Kiah, as well as Temah’s son, Shahrin and a mysterious
gambler named Ki. Pak Bilal is portrayed as a non-judgmental and
religious man whose way of 'preaching' is most unconventional. A
family man, Pak Bilal chooses to surround himself in a community
that seems lost, and lacking in hope, love and trust. Their
vivacity in this film is in direct opposite from Orked’s thus
the audience is invited to observe the diversity between the two
sets. The story then unfolds into a web of deceit and
heartbreak. Orked finds out that her husband has been cheating
on her; Temah is diagnosed with a serious illness, Ki meets his
illegitimate son under dismaying circumstances. Kak Yam falls
for a hospital attendant named Pengki, to Annuar’s dismay,
whilst taking care of Pak Atan in the ward, and Kiah, the young
prostitute is killed accidentally.
Pengarah
Yasmin Ahmad
Penulis
Yasmin Ahmad
... Cerita & Lakon layar
Pelakon
Sharifah Amani
... Orked
Adlin Aman Ramlie ... Arif
Ida Nerina ... Mak
Inom
Harith Iskander
... Pak Atan
Adibah Noor ... Kak Yam
Alan Yun Kam Lun ...
Alan
Tan Mei Ling ... Ibu Jason
Thor Kah Hoong ... Ayah Jason
Ng Choo Seong ... Jason @ Ah Loong
Nam Ron ...
Li @ Pak Bilal
Noorkhiriah Ahmad Shapie ...
Kak Maznah
Rozie Rashid ... Temah
Juliana Ibrahim ...
Kiah
Khir Rahman ...
Ki
Pekerja (crew)
Affandi Jamaludin ... Penyunting
Filem
Keong Low ... Pengarah Fotografi
Pete Abdullah ... Penolong Pengarah
Penerbit
Elyna
Shukri ... Penerbit
Nan Salleh ... Penerbit
Chilli Pepper Films Productions ...
Syarikat Penerbitan Filem
Nusan Bakti Corporation Sdn Bhd ...
Syarikat Penerbitan Filem
Lain-lain
Skop
Productions Sdn Bhd ...
Pengedar Filem
Lighthouse Pictures Singapore ...
Pengedar Filem
Judul
filem:
Gubra
Judul Bahasa
Inggeris: Anxiety Slogan: Why do we hurt the most, the ones
we love the most?
Jenis cerita: Drama Bahasa: Melayu
Tayangan
Tarikh mula tayangan
umum: 6 April 2006 (Malaysia)
2 Mac 2006 (Singapura)
Urusniaga
Kos
pembikinan filem: RM1 juta
Teknikal
Jenis filem: 35 mm
Corak filem: Warna
Bikin
filem
Tarikh mula penggambaran: Ogos
2005
Antara lokasi penggambaran: Hospital Besar Ipoh,
Stesen Keretapi Kuala Kangsar (Perak)
TriviA
Gubra (juga disebut
gabra) bermaksud gugup atau panik.
"Saya mahu paparkan
tentang kisah dan sikap manusia yang biasanya selalu
berada dalam keadaan gubra. Kerana gubra ramai di antara
kita tidak reti untuk menghargai kasih sayang. Selain
itu, mesej yang ingin saya sampaikan melalui Gubra ialah
tentang kemaafan" - Yasmin Ahmad (Utusan
Malaysia, 9 Ogos 2005)
Penafian
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